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Lotte
Reiniger (1899-1981)
The coloured figures for Lotte's films were usually
cut from transparent coloured plastic sheets known as cinemoid, while
the opaque black figures w~re sometimes made from thin lead or cardboard;
all with movable joints. The backgrounds being made from paper of varying
thickness and translucence and the scenes were photographed frame by
frame from above a 'table' lit from below. This process
required incredible patience and dexterity.
On 13th July, 1974 a 75th Birthday tribute was held at the Odeon cinema Barnet. I was invited along by film critic Paul Gelder who had taken an interest in my work as Animator/Director and he introduced me to Lotte; who I found to be a most friendly and charming lady.
I recall Lotte saying she had seen and enjoyed the 'Beatles' film 'Yellow Submarine' and she wanted to hear how we had produced the Polarized light effects used in this production. I also recall her mentioning that many negatives of her early fIlms were destroyed during the 1945 battle for Berlin.
I understand that there does exist somewhere, a short documentary film 'The Art ofLotte Reiniger', all about her work made in 1970 produced and directed by Louis Hagen
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double iron gates, up a long gravel drive and somewhere here among
the very tall trees of 89 Park Road, Barnet was once the film
studio of Lotte Reiniger. Lotte with her husband Carl Koch pioneered the development of the animated fihn in Berlin before coming to England in 1934. Known all over the world for her silhouette and coloured flat- figure films, this distinguished artist/animator for many years, worked from her studio in New Barnet. It was in 1923-26 that Lotte Reiniger with her husband made the first ever full feature length silhouette film 'The Adventures of Prince Achmed', a milestone in film history; while Disney was still experimenting with short fIlms. " |
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required incredible patience and dexterity.
On 13th July, 1974 a 75th Birthday tribute was held at the Odeon cinema Barnet. I was invited along by film critic Paul Gelder who had taken an interest in my work as Animator/Director and he introduced me to Lotte; who I found to be a most friendly and charming lady.
I recall Lotte saying she had seen and enjoyed the 'Beatles' film 'Yellow Submarine' and she wanted to hear how we had produced the Polarized light effects used in this production. I also recall her mentioning that many negatives of her early fIlms were destroyed during the 1945 battle for Berlin.
I understand that there does exist somewhere, a short documentary film 'The Art ofLotte Reiniger', all about her work made in 1970 produced and directed by Louis Hagen
Reg Lodge Art Director on "Yellow Submarine"
